Digital Recorders
24 track Digidesign Pro Tools® with Apogee® PSX-100 AD-DA Converters and CMAutomation motorized faders, Software plugins emulating classic studio gear like the Pultec EQP-1A Program Equalizer, Focusrite d2/d3, Fairchild 660, 1176 LN, and LA-2A compressor / limiter; Waves Platinum Ver 3.5 Mastering software, Panasonic SV-3800 DAT, HHb Compact Disc Recorder, Sony MiniDisc, Roland VS-1680 and Alesis ADAT MD24 portable Digital Recorders.

Analog Recorders
Tascam 122MKIII Cassette and Sony TC 850 ¼" Reel Recorders.

Microphones
Neumann TLM103, Microtech Geffel UM92.1S, Sony ECM Stereo and
Audio Technica 4033. Additional microphones are available depending upon the application.

Outboard Gear
Eventide H-3000; Lexicon PCM 80 and PCM 90; dbx 160S; (2) Empirical Labs EL-8; TC Electronics Finalizer; BBE 862; Avalon VT-747SP Stereo Class A, Vacuum Tube Discrete Opto-Compressor and Equalizer; ART Pro VLA Vacuum Tube Leveling Amplifier, line and mic preamps from Demeter, API and TLAudio.

Keyboards
Korg N1 and Triton with Trinity TR-Rack or Roland XV-5080 loaded!

Other
Mackie 32 x 8 Recording Console, Jammer Professional Composer, Midi Express XT, and United Audio Dual 1019 turntable.

Monitors
Hafler Transnova P3000 with Yamaha NS-10 monitors and Roland D-90 monitors.

Rooms
22 x 12 recording / control room; 9 x 7 iso-room; 11 x 13 break area.

Noise Floor
We combine balanced power isolation transformers, professional grade studio electronics, and broadband noise reduction software; resulting in a typical noise floor less than -100 db on a 24 track digital mix.